Back by Popular Demand
A story based on true events, about a group of African-American women who were hired by NASA for their skills in mathematics to be part of America’s space programme in the 1960s.
Starring Octavia Spencer, Kirsten Dunst and Kevin Costner.
Hidden Figures returns by popular demand in early April.
Audio description facility available for all screenings for this film.
HOH Subtitles on Sunday and Tuesday screenings
Tickets: £8.15 Concs: £6.65 (OAP/Disabled/Unemployed)
Under 25s and students: £4.50 all screenings
Sundays: £6.95 / £6.45 concs / £4.50 u25s and students
Midweek Matinées Tues and Weds: £4.50 -donation box for tea & coffee
Friends of Light House: £1 off standard screenings (not midweek matinee)
Other matinee days are standard prices (Sunday matinees are Sunday prices above).
Meerkat Movies: Compare the Market customers can claim 2 for 1 cinema tickets on Tuesdays or Wednesdays for a year with a qualifying product.
To book online, click on your preferred time in blue, shown on the right of this screen to be taken to our booking system.
Alternatively, for telephone bookings call the Box Office on 01902 716 055.
REVIEW: Click here to read a review from our recommended site FRONT ROW REVIEWS.
Plus this review from Mark Brennand of Light House Film Club.
Films about the space race tend to concentrate on the brave souls who risked their lives sitting atop a rocket filled with aviation fuel. The engineers and number crunchers who designed and considered how a capsule would behave once it went outside the earth’s atmosphere were traditionally dismissed as geeks whose stories lacked dramatic resonance. With Hidden Figures that perception now changes whilst simultaneously dispelling sex and racial stereotypes.
The narrative follows three black women, Katherine Johnson, Dorothy Vaughan and Mary Jackson who were hired by NASA in the early 1960’s to work on the American space programme. At that time NASA was based in Langley, Virginia, a southern state where segregation prevailed. Thus is the set up ripe for exploiting the racial divide and there are numerous incidents which provide dramatic impact. However director Melfi is careful not to overdo things and central to that is project director Al Harrison (Kevin Costner). Though slow to recognise what is happening he is eventually steadfast in breaking down any discrimination.
The result is a both a remarkable tale and a thoroughly uplifting film.