12-21

Norma
Bellini’s masterpiece boasts one of the most famous arias in all of opera, the beautiful “Casta diva.”

Directed by Sir David McVicar, this evocative new production sets the action deep in a Druid forest, where nature and ancient ritual rule.
The priestess Norma is torn between loyalty to her oppressed people and love for a Roman soldier. On the eve of a Druid revolt, she must choose between two agonising betrayals—only to learn that she herself has already been betrayed. Sondra Radvanovsky as Norma and Joyce DiDonato as her rival Adalgisa lead a cast of bel canto heavyweights, with Joseph Calleja as Norma’s unfaithful lover, Pollione, and British favourite Matthew Rose returning to the Met as Norma’s father, Oroveso.

Tickets are £18 (£12.50 for under 15s). Call 01902 716 055 to book, or click the blue link on the right to be taken to our online booking system.
DETAILS OF LIVE PERFORMANCE ARE SUBJECT TO CHANGE. UPDATED July 2017.

Synopsis
Act I
Gaul, 50 BCE, during the Roman occupation.
In a forest at night, the priest Oroveso leads the Druids in a prayer for revenge against the conquering Romans.
After they have left, the Roman proconsul Pollione admits to his friend Flavio that he no longer loves the high priestess Norma, Oroveso’s daughter, with whom he has two children.
He has fallen in love with a young novice priestess, Adalgisa, who returns his love (“Meco all’altar di Venere”).
Flavio warns him against Norma’s anger. The Druids assemble and Norma prays to the moon goddess for peace (“Casta diva”).
She tells her people that as soon as the moment for their uprising against the conquerors arrives, she herself will lead the revolt. At the same time, she realizes that she could never harm Pollione.
When the grove is deserted, Adalgisa appears and asks for strength to resist Pollione. He finds her crying and urges her to flee with him to Rome.
She agrees to renounce her vows (Duet: “Vieni in Roma, ah! vieni, o cara”).
Norma tells her confidante Clotilde that Pollione has been recalled to Rome. She is afraid that he will desert her and their children. Adalgisa confesses to Norma that she has a lover (Duet: “Sola, furtiva, al tempio”).
Recalling the beginning of her own love affair, Norma is about to release Adalgisa from her vows and asks for the name of her lover. As Pollione appears, Adalgisa answers truthfully. Norma’s kindness turns to fury. She tells Adalgisa about her own betrayal by the Roman soldier.
Pollione confesses his love for Adalgisa and asks her again to come away with him, but she refuses and vows she would rather die than steal him from Norma (Trio: “Oh! Di qual sei tu vittima”).

Act II
Norma, dagger in hand, tries to bring herself to murder her children in their sleep to protect them from living disgracefully without a father (“Teneri, teneri figli”).
She changes her mind and summons Adalgisa, advising her to marry Pollione and take the children to Rome. Adalgisa refuses: she will go to Pollione, but only to persuade him to return to Norma. Overcome by emotion, Norma embraces her, and the women reaffirm their friendship (Duet: “Mira, o Norma”).
The Druids assemble at their altar to hear Oroveso’s announcement that a new commander will replace Pollione. Oroveso rages against the Roman oppression, but tells the Druids that they must be patient to ensure the success of the eventual revolt (“Ah! del Tebro al giogo indegno”).
Norma is stunned to hear from Clotilde that Adalgisa’s pleas have not persuaded Pollione, and in a rage she urges her people to attack the conquerors. Oroveso demands a sacrificial victim, and just then Pollione is brought in, having profaned the sanctuary. Alone with him, Norma promises him his freedom if he will leave Adalgisa and return to her (Duet: “In mia man alfin tu sei”).
When he refuses, Norma threatens to kill him and their children, and to punish Adalgisa.
She calls in the Druids and tells them that a guilty priestess must die, then confesses that she is referring to herself. Moved by her nobility, Pollione asks to share her fate. Norma begs Oroveso to watch over her children, then leads her lover to the pyre.

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